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More end credits exploration
BymilafilmAlexandra Kavalova keeps exploring the look of the end credits.
Gallery of Portraits
BymilafilmHere are the latest designs by Pedro Astudillo. These are going to be painted as old looking photographs to use with 3D frames in the main room. Mila will look at all the images and understand a bit of the family background of the woman that offers her shelter during the night of bombing. Thanks…
Why studios should support shorts
BymilafilmA great post today on the Union Blog http://animationguildblog.blogspot.com/ Why studios should support shorts? Because: 1) Shorts provide a continuity of work for employees who might otherwise be laid off and move on to the competition. 2) They are added value for the features to which they’re attached. 3) They provide valuable training for up-and…
Destroyed Carousel
BymilafilmMila’s most complicated prop is the carousel. We’ll have two versions of it, the non destroyed one for a Dream Sequence and the Destroyed one that is showcased here, for the war sequence. This version of the carousel has been in the works for a long time and lot of people contributed to making it…
“La voce di New York.
BymilafilmCinzia Angelini(Director), Andrea Emmes(Producer) and Valentina Martelli(Executive Producer) met Bianca Dellepiane from “La Voce di New York”. Enjoy the article both in english and italian!!
Our Director Cinzia Angelini TEDx Trento Talk!
BymilafilmCheck out Cinzia Angelini TEDx talk at Trento in November 2017. She challenges us with a simple premise. What if we underestimate the power of animation? What if the magic of animation could contribute to…
