Mila’s most complicated prop is the carousel. We’ll have two versions of it, the non destroyed one for a Dream Sequence and the Destroyed one that is showcased here, for the war sequence. This version of the carousel has been in the works for a long time and lot of people contributed to making it…
Yes, sounds early to think about this but Mila end credits require a lot of work considering they will wrap up the story showing Mila’s life after the war. They are fun, uplifting and in 2D! Here is a painting for one of the first shots done by Mila art director, Alexandra Kavalova. We actually…
Few days ago Andrea Emmes and Kim Lorang Phillips came to visit Dreamworks. Philippe Brochu that also works there with me also joined. We had a really nice time!
A great post today on the Union Blog http://animationguildblog.blogspot.com/ Why studios should support shorts? Because: 1) Shorts provide a continuity of work for employees who might otherwise be laid off and move on to the competition. 2) They are added value for the features to which they’re attached. 3) They provide valuable training for up-and…
Thanks to Donna di Repubblica Director, Valeria Palermi for her great editorial dedicated to Mila and the team!
