Yes, sounds early to think about this but Mila end credits require a lot of work considering they will wrap up the story showing Mila’s life after the war. They are fun, uplifting and in 2D! Here is a painting for one of the first shots done by Mila art director, Alexandra Kavalova. We actually…
Trentino Mese, a magazine based in Trento, is coming out today with a great article by Pino Loperfido. Special thanks to the editor Paolo Curcu that also dedicated to Mila the March edition cover.
Some great color keys for seq 2000 by Lorenzo Paoli. Really cool work!
Dear Mila supporters. We need your help one more time. We are looking for experienced Look Development artists to finalize some of the characters look for the project. We offer a credit and a great experience! Please spread the word. Anyone interested please contact me. info@cinziaangelini.com Requirements: The Foundry MARI proficiency or equivalent 3D painting…
We are looking for an experienced TD – preferably a generalist – knowledge of rigging, cloth and hair would be awesome! Just a reminder that Mila is a volunteer based project and we can offer a credit and a GREAT experience! Please spread the word!
I’d like to share Alexandra Kavalova’s new painting to direct the carousel texturing process. The carousel will have two versions, destroyed and non destroyed. Here is one of the horses during the first sequence when the carousel has not being destroyed yet.